Further to my previous post, here are some additional photographs taken during my recent visits to Kirstall Abbey....
Showing posts with label leeds. Show all posts
Showing posts with label leeds. Show all posts
Monday, 11 September 2017
Friday, 8 September 2017
Kirkstall Abbey
For reasons which need not detain us here, I have recently been in a position to visit Kirkstall Abbey in Leeds a couple of times. Despite the place being in reasonably close proximity to the area where I live, this was my first time there since my school days (the early 1980s, to the best of my recollection), when it was a popular destination for day-trips of an educational and enlightening nature.
Kirkstall Abbey is a monastery which was founded in the Middle Ages, and it is situated in the northern suburbs of Leeds. Although today's tourist attraction is basically a set of ruins, it is still a fascinating and thought-provoking place to encounter, exuding some eeriness, but also considerable grandeur and spirituality. The abbey and its grounds are now surrounded by ordinary residential streets and the normal hubbub and noise of modern commercial activity, and this apparent incongruity only makes the tranquility (both then and now) of the former monastery seem more welcome and desirable....
As I slowly made my way through the various sections of the abbey, what crossed my mind was how the scale and intricacy of the architecture and structures, impressive as it is/was, throw into sharp relief the achievements of other, earlier civilizations in terms of engineering,building, logistics and sheer human effort, ingenuity and endeavour. On the face of it, the things constructed and operated by the Greeks, Romans, Egyptians and so forth, hundreds or even thousands of years before, were scarcely less advanced or complex than what was created there at Kirkstall Abbey.
The abbey is yet another of those places which makes me wish that I could have my time again, in order that I could train and work as an archaeologist or a historian! It was quite easy to visualize, looking at the ruins, what the scene would have been like all that time ago, as the monks went about their daily tasks and rituals. The state of some of the ruins also leaves plenty to the imagination, as one speculates what function such and such a row of stones might have fulfilled back when the monastery was active and vibrant.
My recent strolls around the ruins brought back memories of my childhood visits, and I sought in some respects to reproduce the atmosphere and spirit of those times, even to the point of buying myself an ice-cream (complete with chocolate flake!). Looking back, as a callow and somewhat shy youth I was insufficiently inquisitive or outward-looking to fully appreciate what I was seeing, or being told, about the abbey and its history. These virtues have only come to me in comparatively recent times. Better late than never, I'm forced to admit...
If you are staying in Leeds, or even just passing through, Kirkstall Abbey is well worth a quick visit.
Kirkstall Abbey is a monastery which was founded in the Middle Ages, and it is situated in the northern suburbs of Leeds. Although today's tourist attraction is basically a set of ruins, it is still a fascinating and thought-provoking place to encounter, exuding some eeriness, but also considerable grandeur and spirituality. The abbey and its grounds are now surrounded by ordinary residential streets and the normal hubbub and noise of modern commercial activity, and this apparent incongruity only makes the tranquility (both then and now) of the former monastery seem more welcome and desirable....
As I slowly made my way through the various sections of the abbey, what crossed my mind was how the scale and intricacy of the architecture and structures, impressive as it is/was, throw into sharp relief the achievements of other, earlier civilizations in terms of engineering,building, logistics and sheer human effort, ingenuity and endeavour. On the face of it, the things constructed and operated by the Greeks, Romans, Egyptians and so forth, hundreds or even thousands of years before, were scarcely less advanced or complex than what was created there at Kirkstall Abbey.
The abbey is yet another of those places which makes me wish that I could have my time again, in order that I could train and work as an archaeologist or a historian! It was quite easy to visualize, looking at the ruins, what the scene would have been like all that time ago, as the monks went about their daily tasks and rituals. The state of some of the ruins also leaves plenty to the imagination, as one speculates what function such and such a row of stones might have fulfilled back when the monastery was active and vibrant.
My recent strolls around the ruins brought back memories of my childhood visits, and I sought in some respects to reproduce the atmosphere and spirit of those times, even to the point of buying myself an ice-cream (complete with chocolate flake!). Looking back, as a callow and somewhat shy youth I was insufficiently inquisitive or outward-looking to fully appreciate what I was seeing, or being told, about the abbey and its history. These virtues have only come to me in comparatively recent times. Better late than never, I'm forced to admit...
If you are staying in Leeds, or even just passing through, Kirkstall Abbey is well worth a quick visit.
Labels:
archaeology,
greece,
history,
kirkstall abbey,
leeds,
rome,
Yorkshire
Sunday, 16 April 2017
The Damned United (2009 film)
Some time ago I wrote a short blog post about the 2009 movie The Damned United. I recently watched the film again, and thought that I would put together a slightly more substantial and considered assessment.
The film chronicles the ill-fated forty-four day tenure of Brian Clough as manager of Leeds United football club in 1974, and is adapted from David Peace's book.
Michael Sheen delivers a superb performance in the Brian Clough role, although some may contend that the depiction of Clough's well known character traits and mannerisms is slightly exaggerated and lacking in nuance. However, as the film progresses the portrayal does become more rounded, showing frailties and insecurities.
The "aesthetic" of the picture to me brings across some of the gritty authenticity of English football, and indeed England in general, during the late 1960s and early 1970s. Images of terraced houses and so forth evoke feelings of "dark Satanic mills". There is not much sunshine and levity, but much honest toil and plain-speaking. I find some modern films to be bland and clinical in their visual backcloth, but this doesn't fall into the trap as much as most.
A large portion of the movie is given over to "flashback" sequences which chronicle the relationship, and the animosity, between Clough and the long-time Leeds manager Don Revie. The football action sequences are deeply unconvincing, the actors being too old and not athletic enough, although these scenes do succeed in creating atmosphere and context for the overall story. The producers sensibly employed archive footage to help document the tale.
When I first viewed the film, I did not fully appreciate or take in the excellence of Timothy Spall's performance as Clough's assistant Peter Taylor. In this depiction, Taylor was often the voice of reason and common sense amidst Clough's excesses and flights of fancy. Assertive, pugnacious, but less egotistical.
Whether the characterization of Taylor presented here is an accurate representation of the true picture is another matter, but it makes for good drama, and occasionally even good comedy. The movie also acknowledges and emphasizes Taylor's input and contribution to the partnership - his eye for a player, his practicality, his contacts and his all-round knowledge of the game.
I won't ramble on about any technical or historical inaccuracies which spring up, because they always occur in films of this nature. Anyway, they are kept to a tolerable minimum, as far as I could ascertain.
As a supporter of Leeds United, I will try not to be overly paranoid concerning the film's portrayal of the club and of Don Revie. Overall, I would say there is relatively little to complain about on this score, and after all, some of the characteristics and tendencies which are highlighted are ones which we relish and glory in...
Michael Sheen has been lauded for his portrayal of Brian Clough's public persona, but for me the most impressive aspect of his performance was how he conveyed the sense of doom and helplessness, as the forty-four days unfolded, and as his position at Leeds gradually unraveled. Lonely, isolated and vulnerable, and missing the wise counsel and comradeship of Peter Taylor.
So, still a film very much worthy of a watch, and praise also for the use of "Flight Of The Rat" by Deep Purple!
The film chronicles the ill-fated forty-four day tenure of Brian Clough as manager of Leeds United football club in 1974, and is adapted from David Peace's book.
Michael Sheen delivers a superb performance in the Brian Clough role, although some may contend that the depiction of Clough's well known character traits and mannerisms is slightly exaggerated and lacking in nuance. However, as the film progresses the portrayal does become more rounded, showing frailties and insecurities.
The "aesthetic" of the picture to me brings across some of the gritty authenticity of English football, and indeed England in general, during the late 1960s and early 1970s. Images of terraced houses and so forth evoke feelings of "dark Satanic mills". There is not much sunshine and levity, but much honest toil and plain-speaking. I find some modern films to be bland and clinical in their visual backcloth, but this doesn't fall into the trap as much as most.
A large portion of the movie is given over to "flashback" sequences which chronicle the relationship, and the animosity, between Clough and the long-time Leeds manager Don Revie. The football action sequences are deeply unconvincing, the actors being too old and not athletic enough, although these scenes do succeed in creating atmosphere and context for the overall story. The producers sensibly employed archive footage to help document the tale.
When I first viewed the film, I did not fully appreciate or take in the excellence of Timothy Spall's performance as Clough's assistant Peter Taylor. In this depiction, Taylor was often the voice of reason and common sense amidst Clough's excesses and flights of fancy. Assertive, pugnacious, but less egotistical.
Whether the characterization of Taylor presented here is an accurate representation of the true picture is another matter, but it makes for good drama, and occasionally even good comedy. The movie also acknowledges and emphasizes Taylor's input and contribution to the partnership - his eye for a player, his practicality, his contacts and his all-round knowledge of the game.
I won't ramble on about any technical or historical inaccuracies which spring up, because they always occur in films of this nature. Anyway, they are kept to a tolerable minimum, as far as I could ascertain.
As a supporter of Leeds United, I will try not to be overly paranoid concerning the film's portrayal of the club and of Don Revie. Overall, I would say there is relatively little to complain about on this score, and after all, some of the characteristics and tendencies which are highlighted are ones which we relish and glory in...
Michael Sheen has been lauded for his portrayal of Brian Clough's public persona, but for me the most impressive aspect of his performance was how he conveyed the sense of doom and helplessness, as the forty-four days unfolded, and as his position at Leeds gradually unraveled. Lonely, isolated and vulnerable, and missing the wise counsel and comradeship of Peter Taylor.
So, still a film very much worthy of a watch, and praise also for the use of "Flight Of The Rat" by Deep Purple!
Labels:
1974,
2009,
brian clough,
cinema,
deep purple,
films,
football,
leeds,
leeds united,
movies
Wednesday, 15 February 2017
Queen live at Elland Road, Leeds, 1982 - my recollections
A recent internet discussion has rekindled memories of my most memorable concert-going experience, when I saw Queen perform live at Elland Road stadium in Leeds in May 1982.
In all honesty, although I am a massive music lover, I have never been one for attending big concerts in person. I have seen dozens, if not hundreds of bands in pubs and clubs over the years, but bigger venues have seldom had the pleasure of my attendance.
The first thing to mention is that we didn't even have tickets for the Queen gig beforehand. We travelled to the venue on the day, primarily with the intention of soaking up the atmosphere, and possibly standing outside the stadium to hear the music.
Anyway, partly by bus, and partly on foot, we made our way to Elland Road, and kind of mingled with the crowds. I recall that it was a bright and sunny day. Memories are naturally rather hazy, but I guess that the support acts (Heart, Joan Jett and the Blackhearts, Teardrop Explodes) must have started playing around late afternoon, with Queen planning to make their appearance once the sun began to go down.
I was with my older brother and a friend, and we spent much of the afternoon and early evening standing outside the gates of the stadium, hoping to catch a glimpse of band members or assorted hangers-on. We were eventually rewarded when none other than Freddie Mercury walked past, literally feet away from us, although we were standing on the other side of some metal railings at the time!
Eventually the time came for Queen to go on stage, and at this point we were still standing outside, although as their performance got under way, we could hear the music pretty clearly. Imagine our delight when, after the first couple of numbers, the security guys allowed some of those standing outside to enter the ground. I'm not sure who authorised this, but I've always liked to think that Queen (or their management) had something to do with it.
I can't even remember whether our friend was still was with us at this stage, but my brother and I were very lucky to be standing quite close to the front left of the stage, so we had a splendid view. This was my first experience of any kind of live rock or pop concert, and initially the sheer spectacle, and the attendant assault on the senses, rather blew me away. Gradually, though, I began to appreciate the sheer brilliance of the performance. At the time Queen were at, or near, their peak as a live band, and there were very few acts anywhere who could rival them at the time.
The major documents of the 1982 UK/European tour are the audio and video recordings of the later Milton Keynes show. However, I think that Brian May for one has gone on record as saying that the Elland Road show was superior. Queen's act in the early 1980s was characterized by abundant energy and the tightness of the ensemble, and these elements were very much to the fore that night in Leeds.
I was quite young at the time, and some of the musical and artistic nuances are therefore lost in the mists of time. I recall clapping and waving my arms quite a bit, in addition to singing along enthusiastically with most of the songs. All too soon, the concert was over, and we joined the thousands filing out of the stadium. I remember that local residents were still standing on the pavement outside, soaking up the sights and sounds.
From memory, I think that the last bus had already gone by the time we emerged, so we walked the several miles home, still in a state of euphoria and well-being because of what we had just witnessed.
In all honesty, although I am a massive music lover, I have never been one for attending big concerts in person. I have seen dozens, if not hundreds of bands in pubs and clubs over the years, but bigger venues have seldom had the pleasure of my attendance.
The first thing to mention is that we didn't even have tickets for the Queen gig beforehand. We travelled to the venue on the day, primarily with the intention of soaking up the atmosphere, and possibly standing outside the stadium to hear the music.
Anyway, partly by bus, and partly on foot, we made our way to Elland Road, and kind of mingled with the crowds. I recall that it was a bright and sunny day. Memories are naturally rather hazy, but I guess that the support acts (Heart, Joan Jett and the Blackhearts, Teardrop Explodes) must have started playing around late afternoon, with Queen planning to make their appearance once the sun began to go down.
I was with my older brother and a friend, and we spent much of the afternoon and early evening standing outside the gates of the stadium, hoping to catch a glimpse of band members or assorted hangers-on. We were eventually rewarded when none other than Freddie Mercury walked past, literally feet away from us, although we were standing on the other side of some metal railings at the time!
Eventually the time came for Queen to go on stage, and at this point we were still standing outside, although as their performance got under way, we could hear the music pretty clearly. Imagine our delight when, after the first couple of numbers, the security guys allowed some of those standing outside to enter the ground. I'm not sure who authorised this, but I've always liked to think that Queen (or their management) had something to do with it.
I can't even remember whether our friend was still was with us at this stage, but my brother and I were very lucky to be standing quite close to the front left of the stage, so we had a splendid view. This was my first experience of any kind of live rock or pop concert, and initially the sheer spectacle, and the attendant assault on the senses, rather blew me away. Gradually, though, I began to appreciate the sheer brilliance of the performance. At the time Queen were at, or near, their peak as a live band, and there were very few acts anywhere who could rival them at the time.
The major documents of the 1982 UK/European tour are the audio and video recordings of the later Milton Keynes show. However, I think that Brian May for one has gone on record as saying that the Elland Road show was superior. Queen's act in the early 1980s was characterized by abundant energy and the tightness of the ensemble, and these elements were very much to the fore that night in Leeds.
I was quite young at the time, and some of the musical and artistic nuances are therefore lost in the mists of time. I recall clapping and waving my arms quite a bit, in addition to singing along enthusiastically with most of the songs. All too soon, the concert was over, and we joined the thousands filing out of the stadium. I remember that local residents were still standing on the pavement outside, soaking up the sights and sounds.
From memory, I think that the last bus had already gone by the time we emerged, so we walked the several miles home, still in a state of euphoria and well-being because of what we had just witnessed.
Labels:
1982,
brian may,
concerts,
elland road,
freddie mercury,
heart,
leeds,
music,
queen
Thursday, 1 December 2016
Don Revie - Portrait of a Footballing Enigma - Andrew Mourant
Whilst sifting through some of my books recently, I came across Don Revie - Portrait of a Footballing Enigma, a biography of the former Leeds United and England football manager.
This book's value to me lies primarily in its focus on the periods both before and after his tenure at Leeds United. The nature of his background and upbringing give clues as to the evolution of his character and temperament, and also the way that his footballing philosophy was to develop. It also serves as a snapshot of professional football as it was between the end of the Second World War and the arrival of big money.
Some of the characteristics of that football scene seem mildly bizarre now. The meagre, hand-to-mouth finances of many clubs, the spectacle of players from outside the top flight regularly featuring in the England national team, and the prevalence of injuries and fixture congestion.
The reminiscences of associates, acquaintances and colleagues form a large part of this telling of the Revie story, and they help to give the book its balance and flavour, and to explain the origins of the personality traits which became well-known;caution, superstition, thoroughness and insecurity.
Detractors might grumble, but Revie was on balance a progressive and innovative football thinker. I might be biased, but his Leeds teams played outstanding and compelling football, and had flair in abundance. Allied to their famed attributes of resilience and a fierce will to win, they were a formidable unit. They did not win the number of trophies which they should have done, and the book seeks to explain why this was the case. The solution to the question is as complex and elusive as the subject of the book himself.
The concept or notion of blending brains with brawn has always appealed to me as a sporting world-view. Think, but work hard. This was what made football in the four decades after World War Two so compelling, absorbing and popular, and it was a hallmark of many of Revie's teams.
It is noteworthy that Revie in his pre-Leeds footballing endeavours seemed restless, until he arrived at Elland Road, where he finally found his niche, and a place where he could put what he had learned, or taught himself, to good and constructive use.
I found the chapters dealing with Revie's early days at Leeds quite illuminating, especially the methods employed to recruit and motivate young players. The "family atmosphere", and some of Revie's man-management methods, seem quaint and even bizarre from the vantage point of 2016, but they worked at the time, and still induce a smile and twinge of regret and nostalgia that those days are now gone forever.
The book also goes into Revie's turbulent and unhappy spell as the England team manager, and his controversial departure from the post, as well as his final years. I think that there is a balanced and realistic assessment of some of the contentious aspects of his career, and there are lots of good anecdotes and quotes.
The book might appear concise, but in the latter stages the analysis of Revie's character and motives becomes quite intensive and nuanced.
If hardly definitive, this is a good, satisfying read, and leaves one concluding that the man was indeed an enigma.
This book's value to me lies primarily in its focus on the periods both before and after his tenure at Leeds United. The nature of his background and upbringing give clues as to the evolution of his character and temperament, and also the way that his footballing philosophy was to develop. It also serves as a snapshot of professional football as it was between the end of the Second World War and the arrival of big money.
Some of the characteristics of that football scene seem mildly bizarre now. The meagre, hand-to-mouth finances of many clubs, the spectacle of players from outside the top flight regularly featuring in the England national team, and the prevalence of injuries and fixture congestion.
The reminiscences of associates, acquaintances and colleagues form a large part of this telling of the Revie story, and they help to give the book its balance and flavour, and to explain the origins of the personality traits which became well-known;caution, superstition, thoroughness and insecurity.
Detractors might grumble, but Revie was on balance a progressive and innovative football thinker. I might be biased, but his Leeds teams played outstanding and compelling football, and had flair in abundance. Allied to their famed attributes of resilience and a fierce will to win, they were a formidable unit. They did not win the number of trophies which they should have done, and the book seeks to explain why this was the case. The solution to the question is as complex and elusive as the subject of the book himself.
The concept or notion of blending brains with brawn has always appealed to me as a sporting world-view. Think, but work hard. This was what made football in the four decades after World War Two so compelling, absorbing and popular, and it was a hallmark of many of Revie's teams.
It is noteworthy that Revie in his pre-Leeds footballing endeavours seemed restless, until he arrived at Elland Road, where he finally found his niche, and a place where he could put what he had learned, or taught himself, to good and constructive use.
I found the chapters dealing with Revie's early days at Leeds quite illuminating, especially the methods employed to recruit and motivate young players. The "family atmosphere", and some of Revie's man-management methods, seem quaint and even bizarre from the vantage point of 2016, but they worked at the time, and still induce a smile and twinge of regret and nostalgia that those days are now gone forever.
The book also goes into Revie's turbulent and unhappy spell as the England team manager, and his controversial departure from the post, as well as his final years. I think that there is a balanced and realistic assessment of some of the contentious aspects of his career, and there are lots of good anecdotes and quotes.
The book might appear concise, but in the latter stages the analysis of Revie's character and motives becomes quite intensive and nuanced.
If hardly definitive, this is a good, satisfying read, and leaves one concluding that the man was indeed an enigma.
Monday, 8 June 2015
We Are The Damned United-The Real Story Of Brian Clough At Leeds United-Phil Rostron
The 44-day tenure of Brian Clough as Leeds United manager in 1974 has probably commanded more column inches and popular cultural scrutiny than any other period in the club's turbulent history. An addition to the oeuvre is Phil Rostron's book "We Are The Damned United - The Real Story of Brian Clough at Leeds United", originally published in 2009.
This particular subject touches a raw nerve among Leeds supporters, and there is a tendency for people to become defensive and touchy about it, not always indulging in lucid and critical thinking. The whole affair, I suspect, is somewhat difficult for outsiders and insiders alike to comprehend, and its nebulous and nature still makes it intriguing and frustratingly elusive four decades later.
This book is not a strict chronicle of the 44 days. There is ample build-up and scene setting, and several tangents are pursued. Some readers may seek a little more coherency and focus, but overall I found it enjoyable, if not that comprehensive.
The backbone of the book is formed by the contributions of numerous individuals who were connected or associated in some way with either Leeds United or Brian Clough, or both. We do not just hear from the "usual suspects" either;we get observations and recollections from people whose view of events has perhaps not been widely heard previously. It often seems to me that most of the established Leeds players of the time closed ranks, and decided on a story from which they would not deviate.
A nice touch for me was the inclusion of excerpts from contemporaneous newspaper reports from the time in 1974 when the drama was unfolding. The match reports do not paint a picture of unmitigated gloom or despair, although the real problems were of course manifesting themselves behind the scenes.
Whilst "We Are The Damned United" is in many ways evocative of the atmosphere and ethos of football in the Seventies, it also serves to remind us that egos and intransigence were just as prevalent in those days, no matter how different the financial ground rules have become. Human nature has not changed in the intervening period.
What shines through here also is Brian Clough's approach to the game and to coaching. The simplicity of his footballing philosophy is something which many could learn from. His laissez-faire style was perhaps one of the things which the Elland Road stalwarts had most trouble adjusting to. The stories here about the regime in training sessions are quite illuminating. The assertions that Clough's methods would only work with youngsters and misfits, and not established stars, do have some merit, but may be an over-simplification.
Was either side disposed to make concessions and meet half-way, or as the author suggests, was this a case of an irresistible force meeting an immovable object? It would be nice to think that the impasse could have been resolved, but my feeling is that this was an unusual set of circumstances which made the situation untenable. We do not live in an ideal world, and "ifs and buts" are merely academic in this case.
It is pointed out by several contributors that the absence of Peter Taylor from Clough's side deprived him of a potentially emollient influence when dealing with his new charges. This is often cited as an "excuse", often by those who do not wish to confront more uncomfortable aspects of the saga. At the same time, the Taylor factor is undoubtedly part of the complex state of affairs which together dictated how things would turn out.
There is a wealth of anecdotes here about Clough's idiosyncrasies, and his often unconventional style. and it is hard not to find the eccentricities endearing, even if they were not always appreciated by those on the receiving end. Even in the football landscape of the 1970s and 1980s, his achievements with Derby County and Nottingham Forest still inspire awe and respect. One or two nuggets here also paint an interesting portrait of the man - one story from Duncan McKenzie springs to mind, in which he touches on the loneliness and isolation which Clough may have felt during his sojourn at Leeds.
All in all, this was a pretty good, if rather disjointed read. It is probably true to say that the definitive tome on "Cloughie At Leeds" has still to be written.
This particular subject touches a raw nerve among Leeds supporters, and there is a tendency for people to become defensive and touchy about it, not always indulging in lucid and critical thinking. The whole affair, I suspect, is somewhat difficult for outsiders and insiders alike to comprehend, and its nebulous and nature still makes it intriguing and frustratingly elusive four decades later.
This book is not a strict chronicle of the 44 days. There is ample build-up and scene setting, and several tangents are pursued. Some readers may seek a little more coherency and focus, but overall I found it enjoyable, if not that comprehensive.
The backbone of the book is formed by the contributions of numerous individuals who were connected or associated in some way with either Leeds United or Brian Clough, or both. We do not just hear from the "usual suspects" either;we get observations and recollections from people whose view of events has perhaps not been widely heard previously. It often seems to me that most of the established Leeds players of the time closed ranks, and decided on a story from which they would not deviate.
A nice touch for me was the inclusion of excerpts from contemporaneous newspaper reports from the time in 1974 when the drama was unfolding. The match reports do not paint a picture of unmitigated gloom or despair, although the real problems were of course manifesting themselves behind the scenes.
Whilst "We Are The Damned United" is in many ways evocative of the atmosphere and ethos of football in the Seventies, it also serves to remind us that egos and intransigence were just as prevalent in those days, no matter how different the financial ground rules have become. Human nature has not changed in the intervening period.
What shines through here also is Brian Clough's approach to the game and to coaching. The simplicity of his footballing philosophy is something which many could learn from. His laissez-faire style was perhaps one of the things which the Elland Road stalwarts had most trouble adjusting to. The stories here about the regime in training sessions are quite illuminating. The assertions that Clough's methods would only work with youngsters and misfits, and not established stars, do have some merit, but may be an over-simplification.
Was either side disposed to make concessions and meet half-way, or as the author suggests, was this a case of an irresistible force meeting an immovable object? It would be nice to think that the impasse could have been resolved, but my feeling is that this was an unusual set of circumstances which made the situation untenable. We do not live in an ideal world, and "ifs and buts" are merely academic in this case.
It is pointed out by several contributors that the absence of Peter Taylor from Clough's side deprived him of a potentially emollient influence when dealing with his new charges. This is often cited as an "excuse", often by those who do not wish to confront more uncomfortable aspects of the saga. At the same time, the Taylor factor is undoubtedly part of the complex state of affairs which together dictated how things would turn out.
There is a wealth of anecdotes here about Clough's idiosyncrasies, and his often unconventional style. and it is hard not to find the eccentricities endearing, even if they were not always appreciated by those on the receiving end. Even in the football landscape of the 1970s and 1980s, his achievements with Derby County and Nottingham Forest still inspire awe and respect. One or two nuggets here also paint an interesting portrait of the man - one story from Duncan McKenzie springs to mind, in which he touches on the loneliness and isolation which Clough may have felt during his sojourn at Leeds.
All in all, this was a pretty good, if rather disjointed read. It is probably true to say that the definitive tome on "Cloughie At Leeds" has still to be written.
Labels:
1970s,
1974,
books,
brian clough,
football,
leeds,
leeds united,
literature,
phil rostron,
seventies,
soccer,
sport,
sports
Friday, 20 June 2014
The Unforgiven - The Story of Don Revie's Leeds United - Rob Bagchi & Paul Rogerson
There is frustratingly little in the way of books, that I have seen anyway, which comprehensively cover and analyse Don Revie's glorious but turbulent tenure at the helm of Leeds United. This one, originally published in 2002/03, does not completely plug the gap (if such a gap indeed exists) or satisfy the need, but it is nonetheless an entertaining and lively effort.
"Concise", "lean" and "digestible" would be some of the words appropriately employed to describe "The Unforgiven". Fans and students may feel that it barely scratches the surface on key issues such as tactics, Revie the man and the mystique surrounding the whole era. One is left wanting more, but I see this more as a virtue than a criticism of the product.
Where the book does score highly for me is in capturing the essence and the atmosphere of the times, both in football and in a wider social context. The "outsider" status and distinct character of the Revie team, and the hostility which it attracted from the outside, are well conveyed. One is also constantly reminded of the different parameters within which Leeds, and other clubs, were operating in the 1960s and the 1970s.
It is amusing but poignant to note the paltry (by today's standards) financial sums involved, and the crucial importance of week-to-week gate receipts in determining strategy, even in the "glory days". This leads us on to another thread which runs through the book, namely the complex relationship which the club "enjoyed" with the Leeds public, and the sense that this team was often under-appreciated and misunderstood, even on its own doorstep.
The text is colourfully written in places, and will not be to everyone's taste, but it does help to encapsulate the mud-spattered, rugged world which Revie's men inhabited, with limited squad sizes, horrendous fixture congestion (a familiar bugbear for Leeds in those days) and a very different media landscape. Quotes from the press of the time help to bring over an immediacy and a "real time" feel.
Creditably, Bagchi and Rogerson concentrate much of their effort on the pre-1969/70 period, when the groundwork was being undertaken. We therefore get a glimpse of how the legendary team of later years took shape and evolved, with the introduction of the young players and the occasional judicious signing. The passages dealing with activities in the transfer market are quite illuminating, and once again underline how times have changed. Some episodes not particularly familiar to the casual observer are given prominence, such as the club's early adventures in the European competitions.
By no means do the authors give the impression that all was sweetness and light, examining the less savoury aspects of the epoch, including the beginnings of hooliganism and the excesses of some teams on the pitch. The supposed professional insecurity of Don Revie is also a major theme. The flaws, contradictions and disappointments are part of what made the team so compelling, although some might yearn for a more profound search for the reasons behind Leeds' repeated role as "bridesmaids".
This book was originally written at a time when Leeds United were still threatening to build something vaguely comparable to those heady days of yore. The subsequent precipitate decline of "the dream" only adds to the allure of the era which ended in the summer of 1974. The club, and the city itself, have undergone additional change in the past decade, and some of the comparisons and perspective, in the edition which I have at least, may not be as pertinent as they were. However, this does not negate the overall charm of this piece of work, which is both breezy and highly readable.
Saturday, 10 May 2014
Royal Armouries Museum, Leeds
Following my recent visit to the National Football Museum (described here), I thought it worthwhile to provide my thoughts on another, very different, museum, in the north of England. This is the Royal Armouries in Leeds, which I have visited many times.
Housed in an impressive building in the canal area on the edge of the city centre, the Royal Armouries is described as the UK's national museum of arms and armour. It contains a huge variety of artefacts and exhibits, emanating from all corners of the globe, and almost all periods of human civilization. Multi-media and interactive elements co-exist with passive items. On my most visit, I spent time watching a video about the Battle of Marston Moor!
The emphasis is on arms and armour, but this does not mean that we are dealing with an exclusively "military" museum. There are sections covering hunting, self-defence, heraldry, tournaments and so forth. Perhaps the most striking articles on display are the suits of armour, from many parts of Europe, and the elaborate and ornate uniforms and weapons contained in the "Oriental" area, especially the Japanese ones.
In terms of presentation, I think that the tone is set just about right. There is obviously no attempt to glorify war or weapons, but instead a concerted effort to educate the visitor in the development of these implements, and an undercurrent of hope that mankind has progressed, and will continue to do so. Any "message" is not ostentatiously pressed, and I never get the impression that I am being preached to.
From a personal point of view, I almost feel that the post-World War Two exhibits are a little incongruous or out-of-place, when set against the rare and fascinating things from the earlier epochs. The heart of the museum for me is represented by the period from the early Modern period to the early twentieth century. The items from those times somehow have the capacity to both enthral and also to induce more sober and uneasy sentiments.
During the week, the museum is often visited by school parties, but one never feels that it is overly crowded, or that one's opportunity to appreciate its treasures is impaired. If time is taken, this will be a rewarding and enjoyable day out.
Labels:
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Sunday, 3 November 2013
1975 European Cup Final
Even now, the 1975 European Cup Final in Paris, contested by Leeds United and Bayern Munich, has quite a surreal, nebulous aura about it. I was only five years old at the time, and it was shortly after this that my boyhood interest in the beautiful game began to blossom. Re-watching the game, one senses a kind of pallor over the whole event, as if it was presaging the dark days ahead for Leeds United, and in a sense for the game in general.
Leeds were already in decline, and looking towards a rebuilding process, only finishing ninth in the domestic league table in that Spring of '75. The team had moved on, but there was still unfinished business for the players schooled by Don Revie. Retrospectively, it almost resembles a ceremonial obligation which had to be staged before the club could truly move on.
It has been suggested that Jimmy Armfield felt obliged to give the Revie players the chance to play in this match, with the result that the talented young Duncan McKenzie was restricted to a place on the bench. Who knows whether this was pure sentiment, or a case of going for experience? It is undeniable that several of the key players of the Revie era were showing the signs of ageing and wear and tear, and that the dynamism of yore was lacking, especially in the midfield area.
The notion that the choice of the starting eleven was based on tactical considerations is strengthened by the presence of Terry Yorath in midfield, to the exclusion of Eddie Gray. Justified in the context of this particular match and the opposition, but somehow out of kilter with the tenor of the evening from a Leeds supporter's viewpoint.
In appraising the evening's events, it is also worth referring to the mundane and unthreatening line-up which Bayern fielded. With star players in decline, Paul Breitner gone to Madrid, and some prosaic performers elsewhere in the team, the reality was much less formidable than the reputation. In fact, there may be a case for arguing that in the mid-1970s European football had slipped somewhat from the lofty glories of Total Football and the superb fare served up during the 1974 World Cup.
Leeds appeared to control possession for much of the game, particularly the first forty-five minutes, although the build-up was laboured and ponderous at times. Joe Jordan and Allan Clarke posed real problems for the Bayern defence with their movement and athleticism. In the midfield area Leeds were solid if unspectacular, providing a robust platform rather than a launchpad for audacious runs.
The Leeds strategy was circumspect, but it seemed to be succeeding up to a point. The forwards and the midfield screen were working tirelessly, and Bayern were extracting little change from the Leeds back line. The Leeds passing was measured but usually accurate, and the Yorkshire side seemed to be edging the physical dimension of the contest too. It is true that Leeds were playing deep, maybe a consequence of the team selection, and of the respect which they felt for their opponents.
The more often I watch it, the more blatant the Beckenbauer trip on Clarke becomes. Though this must have caused frustration, Leeds continued to probe and generally dictate proceedings. Even after the disallowed "goal" in the second half, Leeds initially seemed outwardly unaffected. Whether the first Bayern goal was the consequence of Leeds being rattled or distracted, who can say. It looked like a simple defensive lapse, but did subconscious disaffection play a role? By the time Gerd Muller scored the second, the match had become bitty and fragmented, and it is possible that Leeds had had time to dwell on the injustice of it all.
I was too young at the time to absorb fully the match and its aftermath and implications, but I can imagine the emptiness which all those connected with Leeds must have felt. The party was well and truly over, in more ways than one....
Leeds were already in decline, and looking towards a rebuilding process, only finishing ninth in the domestic league table in that Spring of '75. The team had moved on, but there was still unfinished business for the players schooled by Don Revie. Retrospectively, it almost resembles a ceremonial obligation which had to be staged before the club could truly move on.
It has been suggested that Jimmy Armfield felt obliged to give the Revie players the chance to play in this match, with the result that the talented young Duncan McKenzie was restricted to a place on the bench. Who knows whether this was pure sentiment, or a case of going for experience? It is undeniable that several of the key players of the Revie era were showing the signs of ageing and wear and tear, and that the dynamism of yore was lacking, especially in the midfield area.
The notion that the choice of the starting eleven was based on tactical considerations is strengthened by the presence of Terry Yorath in midfield, to the exclusion of Eddie Gray. Justified in the context of this particular match and the opposition, but somehow out of kilter with the tenor of the evening from a Leeds supporter's viewpoint.
In appraising the evening's events, it is also worth referring to the mundane and unthreatening line-up which Bayern fielded. With star players in decline, Paul Breitner gone to Madrid, and some prosaic performers elsewhere in the team, the reality was much less formidable than the reputation. In fact, there may be a case for arguing that in the mid-1970s European football had slipped somewhat from the lofty glories of Total Football and the superb fare served up during the 1974 World Cup.
Leeds appeared to control possession for much of the game, particularly the first forty-five minutes, although the build-up was laboured and ponderous at times. Joe Jordan and Allan Clarke posed real problems for the Bayern defence with their movement and athleticism. In the midfield area Leeds were solid if unspectacular, providing a robust platform rather than a launchpad for audacious runs.
The Leeds strategy was circumspect, but it seemed to be succeeding up to a point. The forwards and the midfield screen were working tirelessly, and Bayern were extracting little change from the Leeds back line. The Leeds passing was measured but usually accurate, and the Yorkshire side seemed to be edging the physical dimension of the contest too. It is true that Leeds were playing deep, maybe a consequence of the team selection, and of the respect which they felt for their opponents.
The more often I watch it, the more blatant the Beckenbauer trip on Clarke becomes. Though this must have caused frustration, Leeds continued to probe and generally dictate proceedings. Even after the disallowed "goal" in the second half, Leeds initially seemed outwardly unaffected. Whether the first Bayern goal was the consequence of Leeds being rattled or distracted, who can say. It looked like a simple defensive lapse, but did subconscious disaffection play a role? By the time Gerd Muller scored the second, the match had become bitty and fragmented, and it is possible that Leeds had had time to dwell on the injustice of it all.
I was too young at the time to absorb fully the match and its aftermath and implications, but I can imagine the emptiness which all those connected with Leeds must have felt. The party was well and truly over, in more ways than one....
Labels:
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Sunday, 20 October 2013
Leeds United 4 Birmingham City 0
Club managers often bemoan international breaks, because they tend to interrupt the rhythm of teams, painstakingly built up over a period of weeks or months. After today's match, the Leeds manager Brian McDermott admitted that the World Cup qualifying hiatus had benefited his charges. Tactical fine-tuning, a pause for reflection, and a general clearing of the air were all evident in the 4-0 victory over Birmingham City at Elland Road.
After a nervy and scrappy opening couple of minutes, Leeds settled down and played some direct but composed football, with a welcome lack of anxiety. It probably helped that the shortcomings in the Birmingham defence made themselves apparent very early on, and gave Leeds encouragement. Another thing which was noticeable throughout was the physical commitment of the players, not shirking challenges or 50-50 situations.
It would be easy after this performance to say that everything in the garden is rosy, but this was one (admittedly impressive) display at home against a team clearly lacking both confidence and cohesion. We need to reserve judgement until this "new Leeds" has prevailed in more adverse circumstances, against more buoyant and resilient opposition. At points in the match, too, one can see why there has been speculation about the recruitment of more strikers to the club.
After half-time, Birmingham responded, either to the pull of professional pride, or to a diatribe from Lee Clark, or a combination of the two. It would be exaggerating to say that Leeds had to weather a storm, but when openings were carved out, United retained their shape and Paddy Kenny made a couple of good saves when called upon. Yes, the post was hit, but I think Leeds have earned a bit of good fortune!
Another encouraging feature of the second half was the way in which Leeds used the ball. Despite having less possession after the interval, they were always looking to distribute the ball imaginatively and calmly, even when under pressure.
A good overall team performance, but Austin, Smith, Byram and Mowatt stood out.
Definitely something to build on, but beware of false dawns....
After a nervy and scrappy opening couple of minutes, Leeds settled down and played some direct but composed football, with a welcome lack of anxiety. It probably helped that the shortcomings in the Birmingham defence made themselves apparent very early on, and gave Leeds encouragement. Another thing which was noticeable throughout was the physical commitment of the players, not shirking challenges or 50-50 situations.
It would be easy after this performance to say that everything in the garden is rosy, but this was one (admittedly impressive) display at home against a team clearly lacking both confidence and cohesion. We need to reserve judgement until this "new Leeds" has prevailed in more adverse circumstances, against more buoyant and resilient opposition. At points in the match, too, one can see why there has been speculation about the recruitment of more strikers to the club.
After half-time, Birmingham responded, either to the pull of professional pride, or to a diatribe from Lee Clark, or a combination of the two. It would be exaggerating to say that Leeds had to weather a storm, but when openings were carved out, United retained their shape and Paddy Kenny made a couple of good saves when called upon. Yes, the post was hit, but I think Leeds have earned a bit of good fortune!
Another encouraging feature of the second half was the way in which Leeds used the ball. Despite having less possession after the interval, they were always looking to distribute the ball imaginatively and calmly, even when under pressure.
A good overall team performance, but Austin, Smith, Byram and Mowatt stood out.
Definitely something to build on, but beware of false dawns....
Labels:
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elland road,
football,
leeds,
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lufc,
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Wednesday, 4 July 2012
The Damned Utd - David Peace
This book had been gathering dust on my shelves for many months, but I felt a strange reluctance to give it my full attention. This may have something to do with the ambivalent and even uncomfortable feelings which for many, myself included, surround the 44-day Brian Clough reign at Leeds.
The first thing which will strike many readers is the colourful language, which does not relent throughout. Indeed, once one becomes accustomed to the expletives, they somehow become an indispensable feature of the book, without which it is difficult to imagine the tale having quite the same impact. At the same time, the sheer incidence of the industrial language tempers its shock value, but not necessarily its "value" to the fabric of the story....
As much as its concentration on the Brian Clough/Leeds saga, this book is also a window on the gritty and often bleak ambience of the times in which it is set. The stark, almost minimalist tone and and style of prose serves to accentuate this. The Britain of the late 60s and early 70s, is made to feel quite sinister and dark, a place where the sun rarely shone, and menacing clouds were never far away. I was a very small child in the early to mid 1970s, and any meaningful recollections on my part are therefore impossible, but the depiction of the Leeds (my home city) of that time pretty much tallies with other accounts which I have read and heard. Almost a dystopian vision, but not quite!
The format of The Damned Utd is novel, and by and large quite effective. The relating of the "forty four days" is alternated with the Clough managerial chronicles up until his appointment at Leeds. Although very occasionally confusing (that may just be my own feeble attention span!), this method of telling the story helps to place the drama at Leeds in some kind of context, underscoring what Leeds were letting themselves in for, but also highlighting some of the essential differences between the environments which he had previously worked in, and that which he would be confronted with when he turned up at Elland Road.
I was heartened, but not totally surprised, to note that the Clough story, up until late 1974 at least, was presented in a complex, multi-faceted light, moving beyond the stereotyped and cliched media image of him at the time. Insecurities, regrets, and relationships are all explored, as well as the curious, shifting and evolving nature of his attitude towards Don Revie and Leeds United.
As well as this being a thoroughly engrossing read, I also learned some things about the tumultous events of 1974 at Leeds. There is possibly a tendency for some Leeds followers to expunge some episodes from this period from their minds, or airbrush them from history. It was good to get a rounded account of those days, even by a less than fully orthodox route. The feelings which come through are despair, dread and mistrust, and the grubby, cut-throat, dark heart of football, even back then.
From what I have gathered, opinion is mixed about how some of the protagonists are portrayed in The Damned United, but whilst making allowances for this, it is a compulsively gripping and raw documenting and interpretation of those times, both within football, and in a broader social sense.
I found it a less than comfortable read at times, but felt unable to put it down....
The first thing which will strike many readers is the colourful language, which does not relent throughout. Indeed, once one becomes accustomed to the expletives, they somehow become an indispensable feature of the book, without which it is difficult to imagine the tale having quite the same impact. At the same time, the sheer incidence of the industrial language tempers its shock value, but not necessarily its "value" to the fabric of the story....
As much as its concentration on the Brian Clough/Leeds saga, this book is also a window on the gritty and often bleak ambience of the times in which it is set. The stark, almost minimalist tone and and style of prose serves to accentuate this. The Britain of the late 60s and early 70s, is made to feel quite sinister and dark, a place where the sun rarely shone, and menacing clouds were never far away. I was a very small child in the early to mid 1970s, and any meaningful recollections on my part are therefore impossible, but the depiction of the Leeds (my home city) of that time pretty much tallies with other accounts which I have read and heard. Almost a dystopian vision, but not quite!
The format of The Damned Utd is novel, and by and large quite effective. The relating of the "forty four days" is alternated with the Clough managerial chronicles up until his appointment at Leeds. Although very occasionally confusing (that may just be my own feeble attention span!), this method of telling the story helps to place the drama at Leeds in some kind of context, underscoring what Leeds were letting themselves in for, but also highlighting some of the essential differences between the environments which he had previously worked in, and that which he would be confronted with when he turned up at Elland Road.
I was heartened, but not totally surprised, to note that the Clough story, up until late 1974 at least, was presented in a complex, multi-faceted light, moving beyond the stereotyped and cliched media image of him at the time. Insecurities, regrets, and relationships are all explored, as well as the curious, shifting and evolving nature of his attitude towards Don Revie and Leeds United.
As well as this being a thoroughly engrossing read, I also learned some things about the tumultous events of 1974 at Leeds. There is possibly a tendency for some Leeds followers to expunge some episodes from this period from their minds, or airbrush them from history. It was good to get a rounded account of those days, even by a less than fully orthodox route. The feelings which come through are despair, dread and mistrust, and the grubby, cut-throat, dark heart of football, even back then.
From what I have gathered, opinion is mixed about how some of the protagonists are portrayed in The Damned United, but whilst making allowances for this, it is a compulsively gripping and raw documenting and interpretation of those times, both within football, and in a broader social sense.
I found it a less than comfortable read at times, but felt unable to put it down....
Sunday, 6 November 2011
Leicester City 0 Leeds United 1
After the recent trials and tribulations, this was a very welcome result for Leeds.
By all accounts, it was a tight, hard-fought match, and it is remarkable what a psychological effect winning such a contest can sometimes have on a team. Almost as importantly, there were no goalkeeping dramas!
The Championship league table is also looking a good deal healthier from a Leeds perspective this evening. There is a renewed sense that we are looking upwards with a view to challenging the play-off places, rather than beginning to glance nervously over our shoulders.
Coming up next, Leeds have what on paper look like two less demanding fixtures, against Burnley and Barnsley, but we know from bitter experience that any hint of complacency in this division is swiftly punished. Rarely has the old adage "taking each game as it comes" seemed more appropriate.
By all accounts, it was a tight, hard-fought match, and it is remarkable what a psychological effect winning such a contest can sometimes have on a team. Almost as importantly, there were no goalkeeping dramas!
The Championship league table is also looking a good deal healthier from a Leeds perspective this evening. There is a renewed sense that we are looking upwards with a view to challenging the play-off places, rather than beginning to glance nervously over our shoulders.
Coming up next, Leeds have what on paper look like two less demanding fixtures, against Burnley and Barnsley, but we know from bitter experience that any hint of complacency in this division is swiftly punished. Rarely has the old adage "taking each game as it comes" seemed more appropriate.
Wednesday, 21 September 2011
A Day On The Railways
I have spent much of today using our much-maligned railway system. First of all, I took a mid-morning train to Huddersfield, and things were mercifully quiet. However, I soon became restless, and the lure of Manchester, and its well-stocked Waterstones bookstore, proved too much. I returned to Huddersfield's elegant station, and jumped on a connecting train. I took a couple of photographs during the journey to Manchester:
The journey proved immensely relaxing, aided by the sounds of Richard Wagner on my MP3 player.
I travel by this route quite often, and I regularly think to myself how much we in the North of England, even those of us who live in urban areas, overlook just how much scenic beauty resides close at hand. The countryside between Leeds and Manchester has an ominous and stern kind of beauty, best exemplified during the kind of capricious weather conditions which prevailed today, and which are captured in my two photographs.
After a couple of hours of relaxation and retail therapy in Manchester, including seeing the venue for the yet-to-be-opened National Football Museum, I returned to Manchester Victoria and caught the train home. Alas, the earlier tranquility was now gone, and the hustle and bustle had been raised a few notches. Children crying, the aroma of fast food, litter, general crowding. This time I chose Queen for my musical nourishment, or rather as a means of shutting out the din of the outside world.
Matters were not helped when the train was diverted, adding some time to my journey. There can be occasions when a tipping point is reached, and the pleasure and comfort of a railway journey becomes something more wearisome and tiring. When I reached my destination, my legs were aching and I was glad to be on terra firma again.
The journey proved immensely relaxing, aided by the sounds of Richard Wagner on my MP3 player.
I travel by this route quite often, and I regularly think to myself how much we in the North of England, even those of us who live in urban areas, overlook just how much scenic beauty resides close at hand. The countryside between Leeds and Manchester has an ominous and stern kind of beauty, best exemplified during the kind of capricious weather conditions which prevailed today, and which are captured in my two photographs.
After a couple of hours of relaxation and retail therapy in Manchester, including seeing the venue for the yet-to-be-opened National Football Museum, I returned to Manchester Victoria and caught the train home. Alas, the earlier tranquility was now gone, and the hustle and bustle had been raised a few notches. Children crying, the aroma of fast food, litter, general crowding. This time I chose Queen for my musical nourishment, or rather as a means of shutting out the din of the outside world.
Matters were not helped when the train was diverted, adding some time to my journey. There can be occasions when a tipping point is reached, and the pleasure and comfort of a railway journey becomes something more wearisome and tiring. When I reached my destination, my legs were aching and I was glad to be on terra firma again.
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