Sunday, 29 November 2015

Rocky (1976)

Having recently watched Raging Bull, I moved on to another famous boxing-themed movie of that time, Rocky, released in 1976 and starring Sylvester Stallone. It may not be considered as "cerebral" as Martin Scorsese's 1980 epic, but it is still an uplifting and highly entertaining film.

The scenes which accompany the opening titles, and those which follow, introduce us to Rocky Balboa's environs and surroundings, and indeed the gritty Philadelphia settings are central to the film's appeal. Early on, we are also given a sound grasp of Rocky's essential goodness and humanity, which does not always sit well with those with whom he comes into contact.

The one sentiment which strikes me whilst watching this picture is that it is not long enough, as there is insufficient time to fully explore both Rocky's burgeoning relationship with Adrian (Talia Shire) and his preparations for the fight with Apollo Creed. Both of these elements of the story feel ever so slightly rushed and compressed.

Of course, the character of Mickey, so wonderfully played by Burgess Meredith, adds the necessary tension and dynamism to the movie, by way of his irascible nature and his sometimes fractious relationship with Rocky. Burt Young as Paulie is another important building-block which elevates Rocky above the ordinary.

It is impossible to dislike the Rocky character, as he is so honest, uncomplicated and endearing. The scenes with Adrian are quite sweet, if initially awkward, and the "romantic" angle is a clever plot device, helping to further illustrate the human and compassionate side of this tough and rugged guy. There are nuances and eccentricities to Rocky which make him quite intriguing, such as the keeping of pet turtles.

Of course, one of the most talked-about scenes in this movie is the one where Rocky runs up the steps in the centre of town and raises his arms in triumph.  It does indeed stir the blood. However, the earlier scene focusing on an early morning training run is equally evocative for me.

The cynics will say that much of this picture is corny and that the plot is far-fetched, especially the notion of an obscure fighter suddenly being granted a world title opportunity, but I think that this film touched people because it went against the grain of much of Seventies cinema in its heart-warming and optimistic tone and outlook.

I had forgotten that Joe Frazier makes a cameo appearance, resplendent in a wonderful turquoise suit! The Balboa-Creed fight scenes start a little shakily, but then improve markedly.  I suppose that the moral of the outcome is that it didn't matter too much who won the bout, but attaining one's personal goals is more important, in this instance "going the distance"...

I wouldn't describe Rocky as a masterpiece, but those who watch it will likely feel better about themselves and their lives.










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