Bright Lights Dark Shadows - The Real Story Of Abba - Carl Magnus Palm

Bright Lights Dark Shadows is a biography of the Swedish pop group Abba, written by Carl Magnus Palm. The edition which I have was published in 2001.

After having browsed through it periodically, I recently worked my way through this book in its entirety. In conclusion, I would say that it is a highly readable, and illuminating effort.

A goodly portion of the book is given over to chronicling the period prior to the emergence of Abba, following the upbringing of the four group members and the development of their musical careers. This approach brought home to me how Abba was no overnight success, and that progress in those formative years was not uniformly smooth.

I think the book scores highly in its exploration of how the four people reacted to each milestone or setback in their careers, and how they viewed success and celebrity. The level of detail for me helped to convey how the real story is far more complex than the simplistic version often served up by the mainstream media. This is especially true where the characteristics and personality traits of the musicians are concerned.

Throughout the book there is extensive focus on the business and financial side of Abba's story, and in particular Stig Anderson's role.  We also get a sense of how the music business worked in those pre-internet days, and the struggle which Abba had in receiving "cultural" recognition, most of all in their native land.

From what I can discern the author has delivered a balanced and honest account of the Abba years. The negatives and the problems are analysed, the triumphs are celebrated.  I liked the author's style in discussing the merits of songs and albums, highlighting how the various tracks were born and developed. My own understanding of what made Abba tick artistically was considerably enhanced.

It is clear that, for differing reasons, the members of the group were not that keen on touring for much of the time. The documenting of the 1977 Australian tour, and the attendant hysteria, offers a convincing depiction of how touring was not always conducive to general wellbeing and harmonious personal lives. Indeed, a theme throughout Bright Lights Dark Shadows is how Abba dealt with the various pressures and expectations which encroached once fame and fortune arrived. I am sure it was occasionally fun!

There is some intriguing and thoughtful perspective on the Abba "revival" which commenced around the early 1990s.  The book offers some acute observations on the reasons for the resurgence in interest in Abba, and also some misgivings about certain aspects of the revival.

Overall, I really liked this book. It augmented my knowledge of and appreciation of Abba as artists, and offered a telling reminder that "stars" are also real people, with real feelings and emotions, and that all is not as idyllic, pleasurable or straightforward as the masses might like to imagine.

Summer With Monika - Ingmar Bergman

Continuing with my "odyssey" (I hope that doesn't sound too pompous a term) through some of the films of Ingmar Bergman, I recently viewed Summer with Monika, which was originally released in 1953.

The movie stars Harriet Andersson and Lars Ekborg as young lovers who decide to escape on a boat to enjoy an idyllic sojourn on the Swedish coast and inland waters.

At the beginning of the film we are shown a dreary urban industrial landscape, in fairness the type of dark and shadowy world portrayed in many movies of that era, the "monochrome" 1950s. Both Monika and Harry endure a monotonous existence, and various pressures cause them to yearn for an escape from the constraints and claustrophia, and the small minded mentality of those around them. They both leave their day-jobs, and embark on the boat trip.

The sequences which follow perhaps partly hint at some social trends which were to become more topical and pressing in the ensuing decades; the desire to escape day-to-day conformism and straight society, and live an alternative lifestyle.  This was possibly not a great priority for people in the aftermath of World War Two, even in Sweden.  Popular culture in the main did not catch up with "moving on" until much later....

The nudity and sexual frankness evident in this film may have attracted much notoriety, but to me it hardly added to its appeal.  To be honest, I was more struck by the stunning shots of the Swedish countryside and coastline!

Initially, the two youngsters seem to revel and thrive in their new-found freedom and independence, sneering at the world which they have left behind.  However, all too soon the idyll begins to crumble, and the stark truths of human nature begin to close in.  There is no escaping some bitter realities, such as envy and evil, whatever the mode of living or the backdrop.

Summer may be presented here as a metaphor for something pure and idealistic.  As the season draws to a conclusion, the dream ends, and the venture becomes corrupted, with the pair resorting to theft to sustain themselves. Also, Monika falls pregnant, meaning that burdens and responsibilities begin to encroach. 

They return to the city, matters coming almost full circle, except for the fact that the couple have a child, and in some respects their predicament is more dire than it was to begin with.  Monika eschews total domesticity, the Summer's events having given her a taste for adventure and excitement.

Not as locked in the mind as some of Bergman's other films, but a hard-hitting and quite compelling examination of several aspects of the human condition.....