Tuesday 1 April 2014

The Trojan War - Barry Strauss

In my youth, the Trojan War was something of a staple in primary education, although the allure of Helen of Troy remained with me longer than the military or cultural niceties. The degree of historical truth seemed to matter little back then.
 
In more recent times, my increased interest in history of all periods has brought the story back into my orbit. I am currently working my way through Homer's Iliad, and was very pleased to come across Barry Strauss's book on the subject. My inclination, based on the available evidence, has generally been to be reasonably confident that some form of battle took place at the place cited, in the approximate time normally put forward, however much the tale might have been embellished and distorted later.
 
 

Importantly this book draws on more recent discoveries and evidence. The author's knowledge and enthusiasm for the whole ancient and Bronze Age world is palpable. I was impressed with the reasoned arguments which he employs, citing innumerable examples of events, traditions and tangible evidence found in the wider region, rather than just the narrow Aegean world.

Strauss rationalizes some of the more "fanciful" aspects of the "legend" in more believable and plausible terms, decoding some of the myths, superstition and symbolism for modern consumption. Things are thereby related in digestible and comprehensible form. Each stage of the battle is analysed in turn, helping to make it lean, compact and manageable.
 
This version includes the famous characters from the Iliad, whilst allowing that some of them might not have existed in the precise form cited in Homer, if at all. It doesn't adhere slavishly to the Homer line, pointing to instances where he may have exaggerated or demonstrated bias. Other sources, and the author's own conclusions and theories, are used to give the story shape and cohesion.
 
"The Trojan War" cuts through much of the dusty scholarship that can shroud topics such as this, to provide a breezy and concise telling. Strauss thankfully refrains from spending excessive time agonizing over the minutiae of "authenticity" and veracity, being decisive when he needs to be, imbuing the telling of the story with real clarity and energy. 

Interesting theories are ventured on the vexed question of the Trojan House. Whilst not totally ruling out the possibility that a wooden horse might have played some part, the author puts forward a plausible scenario whereby the "horse" of legend acts as a metaphor for some Greek trick,sleight of hand or deception, which provoked the opening of the gates of Troy.  Espionage perhaps?

Above all, I found this work informative, entertaining and quite absorbing.
 

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