The Aeneid - Virgil

Having read Homer's epic poems, The Iliad and The Odyssey, it was logical that I should move on to Virgil's own epic poem The Aeneid, which can be construed as some sort of "sequel" to the former. The story follows the fortunes and travels of the Trojan Aeneas, a survivor of the sack of Troy, and his divinely ordained mission to help plant the origins of Rome.

In some respects, such as the style and techniques of the writing, this poem shares characteristics with Homer's celebrated works. Whilst it is accessible and streamlined, the way in which the words are presented sometimes make it a challenging read. It is unfair to say that it is less profound than The Iliad, as it covers different ground, literally and metaphorically.

It would be advisable to read a version of this work with a "glossary" included, as it is a constant struggle to remember the Roman equivalents of Greek deities,places and people. At the same time, it is not necessary to keep slavishly referring to these things in order to appreciate the story.

For me, the poem became more lyrical, gripping and coherent once the Dido/Aeneas relationship commenced. This is where some of the central themes of The Aeneid begin to reveal themselves. Funnily enough, the Dido/Aeneas dynamic did not have quite the impact on me that I had anticipated, possibly because I had unrealistic expectations.

The strength of this poem for me is its evocation of strong and emotive imagery within a digestible and compact format. Lots of things occur, but the "destiny" of Rome gives it backbone and cohesion.

The language appeals to the senses - the ritual sacrifices, the feasts and banquets, the forces of nature. The prolonged similes sometimes augment a scene, but in other places they seem a touch superfluous. No barrier to enjoyment, however.

One of the things which stood out for me in the story was the contrast between grandiose ambitions and more private, innermost emotions and practical needs and aspirations. Some people fell by the wayside during Aeneas' journey and settled for a more secure and easy short-term existence. Individuality and pragmatism still had a place here.

The "underworld" passages are tremendously vivid and powerful, and function as the hinge of the tale, introducing the future. The pace quickens from here on in.

As with Homeric poetry, the interventions of the gods, and the consequences of those interventions, might be interpreted by modern observers as allegorical of the "masters of war" or "puppetmasters" who, we are told, orchestrate and precipitate conflict and animosity. Some factions are unwillingly pressured into aggression.

As with The Odyssey, there is almost a fairytale/fantasy feel, with tales of monsters and mythical creatures. Another noticeable thing is how the story brings together elements of ancient and classical history and mythology, and makes them seem as one.

Rightly or wrongly, I discerned that the depictions of people's attitudes to war are more modern than might be expected, with citizens critical of their leaders for putting their ambitions before reason and the common good and tranquility. The diplomatic discourse on display also had a nuanced side to it, and the concerns and anxieties still ring true many centuries later.

The final chapter is dramatic and deftly executed. The ending is not exactly comforting on a human level, but it has a certain finality and tidiness about it.

The Odyssey - Homer

Having got through Homer's Iliad, I recently set about reading the poet's other celebrated work, The Odyssey.  This was E V Rieu's translation, which was done in a "prose" style.

The poem essentially documents the wanderings, adventures, fortunes and misfortunes of Odysseus (and others) in the aftermath of the Trojan War.  The main thrust of the plot is the quest of Odysseus to return to his home in Ithaca, and his later measures to address the ominous events which had taken place there in his absence.

During the story we are immersed in the world of the palaces  The settings are varied and the story derives much of its richness from the grandiosity or beauty of the locations, and the way in which these are introduced and described. Ironically, this world, as much as it bears some resemblance to historical reality, was shortly to decay and eventually disappear.

In part due to the exotic and evocative settings which form the backdrop for the various portions of the poem, the Odyssey, there is very much a fantasy and/or fairy-tale character to the work, with passages referring to bounteous orchards, streams, forests, springs, exotic fruits and other idyllic features. The mythological element is strong. The constant and elaborate presence of the gods and assorted mythical beings and creatures accentuate this impression.

In other ways I was reminded of some of the stories written by Hermann Hesse, although the precise motivations behind Odysseus' travels were not always the same as those nurtured by Hesse's characters. One can readily appreciate from reading this work how influential Homer has been, subconsciously or otherwise, on many generations of writers, novelists and poets.

For all the tranquil and picturesque landscapes, the Odyssey is not without its violent and disconcerting episodes. The encounter with the Cyclops, and especially his culinary inclinations, certainly raised my eyebrows.  One thing to note is that the story is slightly confusing from a chronological viewpoint, in that much of the plot is related "retrospectively" by Odysseus to the Phaeacians. Once the reader has untangled the order in which the various stages happened, then he or she will be fine, and it should make perfect sense.

The Odysseus is, on the face of it, not submerged by portentousness and gravitas, and some of the dialogue between characters has charm. Moral questions are tackled in a milder and less onerous manner, and this ensures that it is digestible and enjoyable, even if intense concentration is desirable in order to derive the most from it.

It is a gripping and absorbing story, and is well worth reading, and not just for people who have already experienced the Iliad.