Sunday, 5 August 2018

Planeta Bur (1962 Soviet movie)

In continuing my exploration of Soviet science fiction, I next moved on to Planeta Bur (also known as Planet Of Storms), directed by Pavel Klushantsev, and first released in 1962.

The film revolves around a voyage by three spaceships to the planet Venus in a Soviet mission, and the subsequent adventures and discoveries which the crews experience.

Overall, the atmosphere of the film is claustrophobic, grim and austere, with a tone of foreboding and unease. Venus I guess was, and is, a more mysterious and nebulous concept than the Moon or Mars, and this angle accentuates the apprehension, as the cosmonauts go outside to brave the surface of the planet.

The special effects and general technical quality of the film are pretty good, considering the likely budget and the time when the film was produced. There are occasional lapses in to near B-movie standards as regards props and sets, but in general it holds up, and in truth the realism of the effects is not the main point here.  What is there is perfectly adequate, and more, in conveying the mood and the direction of the narrative.

Soviet science fiction movies do tend to tackle weighty topics, but I find that they come across as more convincing, and less patronizing, in so doing. There are times when sci-fi tries too hard, and emerges as excessively earnest and preachy, but this picture does not fall victim to that failing.

Planeta Bur examines a few big questions, both scientific matters and also ones concerning humans and their relationship with space and space exploration. There is an interesting sub-plot, not uncommon in science fiction, namely the extent to which "normal" rules and commands, adhered to on Earth, are also applicable or practicable once people are in space. This is seen with the decision to proceed even when one of the three spaceships is destroyed.

There is something about scenarios where people are far from home, and forced to co-exist with others. Temperaments are laid bare, and improvisation is important. This film does pose some questions about the role of the individual when set against the need for team-work, the notion of self-sacrifice and to what degree individuals are expendable in extreme circumstances.

One of the scenes which I found affecting was one where some of the cosmonauts start firing on and killing some of the creatures on Venus. This raised the thorny question of what right humans, in their urge to explore space, have to interfere with other worlds.  After all, Venus had not threatened Earth, and they could argue that they were defending themselves.

Planeta Bur explores some fundamental questions about evolution, ancient civilizations and so forth, but I like the way that the debate amongst the cosmonauts is left largely unresolved, leaving much for the viewer on which to ruminate. The presence of a robot permits the standard agonizing about the relationship between humans and machines and technology.

How scientifically accurate or "valid" all this is must be open to debate, but this is science fiction, and of course in the early 1960s much less was known, or perhaps more correctly more was unknown. Having said all this, this film works well partly because the "science" is kept reasonably within the bounds of plausibility and human comprehension.

I think that the minimalist and understated approach to production values and to the storyline suits this film admirably. Also, the dialogue is intriguing, with plenty of dry humour in there, and not just run-of-the-mill sci-fi fare. Things are kept simple, but the movie is gripping and always interesting.

Oh, and the film's ending is wonderful....




No comments:

Post a Comment