Anyway, having opened my eyes (and ears) to other so-called alternative quarters of the musical universe, Transformer and other Reed solo LPs entered my consciousness. I am resoundingly glad that I felt ready to make that leap.
On first impressions, Transformer felt more meaty and guitar-heavy than The Velvet Underground. However, as has become customary for music people to emphasize, Lou Reed is primarily a tunesmith. These songs have an infectious and invigorating quality about them. Some of the energy and accessibility of the album may be attributed to the involvement in the project of David Bowie and Mick Ronson, as producers and musicians, The tunes are compact and tastefully captured. It may well be true that the material lacks the provocative and "subversive" flavour of the Velvets' greatest output. However, the tracks here are generally likeable and catchy - 'Vicious', 'Andy's Chest' and 'Hangin' Round', for instance. They have also hidden depths and fascinations.
'Perfect Day' was hitherto a song which I rather loathed, considering it vacuous and overblown, but it now inspires my admiration and affection. I "get" the sentiments now, probably because I am older (or wiser?). 'Walk On The Wild Side' has undergone a similar transformation (pardon the pun) in my estimations, but for different reasons. I had tended to regard it as a novelty song, almost. The other famous number on the record, 'Satellite Of Love', has an elusively absorbing quality, in keeping with much of what surrounds it.
If Transformer ever appears in danger of growing too cosy or bland, then Mick Ronson's incisive and adroit guitar contributions serve to lift it. I also detected, vaguely, the influence of Bowie's Hunky Dory period here and there. All these elements assist in ensuring that the record retains its validity as an artistic endeavour worthy of exploration and respect.
A word too for 'Goodnight Ladies', a whimsical offering which has a strong 1920s Berlin ambience, and which adds welcome variety and humour. A great and vibrant way to close.
As for Reed's reputation as one of the godfathers of punk, it may be more visible and discernible on other records, but certainly the short and simple arrangements and riffs must have struck a chord with some aspiring musicians.
So, not as challenging as other works involving Lou Reed, but a tight and coherent set of entertaining and sometimes intriguing pieces, competently produced and performed. It has been widely influential, and it still sounds urgent and energetic. The type of album which demands attention, and which draws the listener back repeatedly, despite its minor shortcomings.
