There are certain cultural "artefacts" in which I seek refuge from time to time, works or collections in which I seek solace, comfort or reassurance that beauty and imagination can still be found. One such item is the Aretha Franklin box-set The Queen Of Soul (it was previously released under a different title).
This collection essentially documents the time during which Aretha recorded for Atlantic, in other words her time of greatest critical acclaim, creativity and commercial success. The period covered is approximately from 1967 through to the mid-1970s.
When I first listened to this release I was immediately struck by the relentless excellence and quality, and was assailed by a renewed, and most welcome, appreciation of Aretha's talents and artistry. There is hardly a weak track, or a substandard performance, throughout the four discs which make up The Queen Of Soul.
Taking in her halcyon period in such concentrated form led me to appraise the reasons for her status and her reputation. Perhaps the best way in which I can express or articulate this is to stress her interpretative skills - each syllable of every word almost feels like a major event in itself, such is her ability to encapsulate and convey emotion. Some of the credit no doubt goes in some instances to the producers and/or arrangers, but I would estimate that it is mainly Aretha's uncanny sensitivity and savvy which lies at the heart of the appeal of these recordings.
I will avoid discussing some of Aretha's most famous hit recordings, partly because in some cases they are burdened by over-familiarity, or do not show off her capabilities to their fullest or truest extent. They tend to be promoted and pushed by media types who are excessively worried about how they themselves are perceived, and as a result some of her more dazzling and affecting performances possibly remain comparatively unrecognised by the wider public.
Her version of "Bridge Over Troubled Water" is one of the highlights here, a spine-tingling rendition which appears to accomplish the kind of mood and power which Simon and Garfunkel themselves might have intended. Just check out the electric piano part near the beginning of the song.
Another stand-out item is "Ain't No Way". Probably not the strongest song Aretha ever committed to tape, but her phrasing and her vocal flexibility elevate it to another level, and it remains one of the most outstanding showcases for her unique talent. "You're All I Need To Get By" works in a similar vein as far as I am concerned, although in that case the singer starts out with more promising raw material.
I could go one, but rather than attempt to articulate this compilation's manifold virtues, the best advice would be listen to it, and enjoy.
